Original air date: October 15, 1968
Synopsis – Scott helps a very pregnant Polly flee the Foleys – the family of her abusive late husband. He and Johnny attempt to take her to Lancer, but the Foleys are already at the ranch, putting Murdoch and Teresa in jeopardy. They take refuge in the home of a old woman that they know, as Polly goes into labor. Gant Foley wants his grandchild, and leverages Murdoch to get the baby – but Johnny is having none of that.
Now for my thoughts, as I watch the episode.
So saddle up, here we go —
The Green River sequence
- The episode opens with three men riding into the quiet town of Green River. A couple of men walking down the street give them the once over – they may be strangers, or maybe not very welcome. One of them rudely enters a building that looks to be a boarding house, the other two wait outside.
- Scott (in his jaunty hat) walks out of the bank, with the assistant bank manager (we know that because that’s how the actor is credited – there is no mention of bank manager in the credits); gun fire interrupts the quiet town.
- Scott makes a dash toward the gunfire, and a pregnant woman runs out of the building. One of the men outside grabs her and calls her Polly. She is fighting to get loose, and Scott steps in, grabs the man and punches him. The other man that was waiting outside, is now shouting from the second floor that someone is dead, and that she killed him. He sees Scott fighting with his buddy and begins shooting at Scott. Scott of course fires back. Scott hits him, and then is also hit in the hand – the man falls off of the roof – dead.
- Polly picks up the gun that Scott dropped when he takes the shot to his hand and she hightails it out of there on a buckboard – leaving Scott in the street.
- But Scott is no slouch and we soon see him on a horse following her, and as he catches up, he pulls her to a stop. She still has Scott’s gun and tells him to back off. He tells her he wants his gun back, and wants to know why he was forced to kill a man – she fires a warning shot. He slowly gets off his horse and approaches her – she gets blurry eyed and faints – right into Scott’s arms (lucky lady).
The Foley Camp sequence
- The one man left from the three that rode into town is entering a campsite, he has a dead man draped across a horse. He tells Foley, “here’s your boy”, and then tells him that he went in first (as I stated previously, quite rudely) and that it was Polly that killed him. Foley wants to know if he killed her. He tells Foley that she got a way with a man named Lancer, from Morro Coyo. Way to give up a good customer, Mr Assistant Bank Manager. Boy, this Foley is a real peach.
- Foley tells his nephew Corey to gather all of the men in the family old enough to ride, and to meet him in Cross Creek. Corey would rather just take care of Polly himself, but he does as he’s told.
The Abandoned Weigh Station sequence
- Scott finds an abandoned weigh station and gently carries Polly into the barn and settles her on a pile of straw, making her comfortable. Polly asks for a drink – and Scott tells her there is a pump outside, and he’ll get her some water. Water! she cries, pretty indignant, and then grabs he belly in pain. She’s kind of an ungrateful thing.
- Polly tells Scott that the man she killed was her husband, and describes him as a viscous, lying animal, and explains that if she hadn’t shot him, he would have killed her and her baby. Scott replies back, with that oh so wonderful sarcastic wit of his, “sounds like you married into a very nice family”. I love his dry humor – he really does crack me up. This is Scott’s finest characteristic. Kudos to Wayne Maunder, he delivers these types of lines perfectly.
- Polly tells Scott that she was 17 and a minister’s daughter, she thought falling for Frank Foley was exciting, he was different. Scott hides the buckboard and rides to a doctor a few miles south of where they are.
The Doctor’s Home sequence
- Foley has already arrived at the doctor’s house. His poor frightened wife explains that the doctor is not there. Foley is pushing to find out if Polly was there, or if she knows a man named Lancer. They hear a horse ride up – it’s Scott. Foley and his men hide in a back room.
- Scott asks for the doctor, and the doctor’s wife tells Scott that he left for town earlier. She’s visibly shaken, and Scott is suspicious. He walks in and starts to look around. He figures out that someone is hiding, and he knocks over a coat rack to get their attention.
- Scott asks Foley who he is, and he replies that they are the Foleys. Again, Scott with the smarmiest of smiles and wit answers back, “good for you”. This entire exchange is comedy gold for Scott. I just love it.
- All of the Foley men have now gathered and are heading back to town – but first they stop at the weigh station. Polly sees them coming and runs, finding a hiding place under some debris.
The Morro Coyo sequence
- Hold on to your hats Johnny girls, this is the scene we’ve all been waiting for.
- Foley tells one of the towns folk that he’s looking for a man named Lancer – he is directed to the blacksmith’s shop.
- Poor Murdoch, gets slammed into a door by Foley, and to add insult to injury tells Murdoch that he’s a lot older than he thought he’d be. Foley wants to know where Polly is, and Murdoch tells him he’s made some sort of mistake. One of Foley’s men cocks his gun at Murdoch’s head. Oh no!
- A quiet voice threatens – well, just see for yourself….
- And then we get it – the Madrid lean and stare. Hot damn! The camera angle here is perfect – it’s a long shot of the entire leaning persona, then it zooms in to show the intent look on Johnny’s face. Cool and calm, his hand hanging dangerously by his gun, he doesn’t move a muscle, and then only barely when Foley asks who he is. He replies that he’s Johnny Lancer. Foley wants to know why he got involved with the girl. Johnny tells him he has no idea what he’s talking about. Foley hesitates, not sure if he believes him or not, he makes a threat and then leaves.
- Murdoch gives Johnny a little side eyed glance. Johnny, still leaning, very slowly puts a tiny little smile on his face. Priceless!
- Realizing that the Foleys are looking for a Lancer, and Scott is unaccounted for, Johnny asks if he should ride towards Green River to try to run him down. Murdoch tells him to make sure Scott stays away from town.
- This is where we find out that Gant Foley has no interest in Polly, he just wants her baby – the child of his only son, now dead.
Johnny Catches up with Scott sequence
- As Scott heads back, we hear a whistle, and Johnny rides down to meet him. He tells Scott that somebody came into town looking for him – called the Foley’s. Scott asks, “Morro Coyo, how’d they know where to look”. He tells Johnny to follow him and he fills him on on what’s going on.
- In the meantime, Polly is worried that she’ll be found, so she makes an attempt to leave – but she’s in no shape to go far.
- Scott sees that she’s gone, and goes to look for her – knowing that she couldn’t have gone too far. Johnny is not convinced, but goes with him anyway.
- From the long overhead camera angle, and they way they are searching the ground looking for tracks or clues – it appears that Polly did in fact get pretty far.
- Scott sees her first, calls for Johnny. She’s lying in an area trying to get a bit of shade – it looks pretty stinking hot out there. Scott hands her a canteen and she’s not too indignant about drinking water now. Yep – that blazing sun will do it every time.
- But now for the kicker – it seems little miss Polly isn’t what she pretended to be when she first told Scott why she married Frank Foley. Johnny recognizes her, and she him. Scott notices that something is wrong, as Johnny looks away. When he asks Johnny what’s wrong, Johnny replies, “ask her”. She fesses up that she and Johnny used to share a bottle – and that she was a dance hall girl. She tells Scott that he’s “been had”. But Scott is undeterred, and sends Johnny back for the buckboard, so they can take her back to the ranch. Johnny rides off dutifully – although he has a bit of a smirk on his face when he goes. I don’t think he was too happy about it.
The Lancer Ranch sequence
- Murdoch arrives back at Lancer. He sees a ranch hand waving and he waves back, but the ranch hand doesn’t look too confident.
- Murdoch is greeted as he walks into the house by a man holding a gun on him – once again. And there are the Foleys – making themselves quite at home, while poor Teresa is sitting in one of the chairs looking a little nervous. Murdoch gives her a couple of quick reassuring taps on the shoulder as he walks by. Gant Foley and Murdoch walk over to the large window, and Foley shows him that his men are hidden everywhere – just waiting for Scott to show up with Polly.
- Foley tells Murdoch that he’d wipe out him, his family and half the territory to get his grandson. Hmm, didn’t know they had sonograms back then. Pretty presumptuous of him to just assume that the baby is a boy.
- Teresa thinks that she might have a plan, and asks Murdoch if he wants some coffee – he shakes his head no. She tells him – in a very awkward way – they she’ll bring him back some in case he changes his mind. She heads to the kitchen…but as she tries to sneak to the front of the house Corey is there and catches her. He roughly grabs her and tries to kiss her. As she’s struggling to get out of his grasp, Murdoch hears her trying to fight him off and makes a mad dash – like a bull – knocking over one of Foley’s men and rushes to her rescue. Murdoch is a big man – and he plows through that guy. It was great to see him take the hero role, usually reserved for the two younger Lancer men. As much as I can’t stand Gant Foley – he at least is not about to put up with that behavior, and he apologizes to Murdoch and Teresa. And we wait.
- Coming up right after they pass the Lancer arch is Johnny on horseback, Scott driving the buckboard with Polly laying very uncomfortably in the back. It looks like a horrible bumpy ride. They pull up in front of the house and dismount, but one of the hands yells a warning, and is shot for his trouble. Scott jumps back on the buckboard and quickly starts to head away, as Johnny jumps back on his horse and fires back at a couple of Foley’s men. He takes out three men as he is taking fire, and speeds away on Barranca (at this point in the series we don’t know Barranca’s name yet, but I’ll use it here since it’s pretty well known by fans of the show, and he is as much a character to many of us as the “human” cast). Of course Johnny’s hat flies off his head – thankfully stopped from going any further by the stampede string, but it’s miraculously back on his head a second later. It looks like it got in his way at one point, but we’ll talk about hats some other time.
- Murdoch tries to get (presumably) a gun from his desk, but one of Foley’s men stops him, and like the bull that he is, Murdoch pushes past him and runs out of the house. I have to say, I find it a little weird that he would leave Teresa in the house with what is left of the Foley men. But he’s stopped, and now Gant Foley has a new plan.
- Scott stops the buckboard – Polly is about done in. Johnny asks if she can hold on for another quarter mile, she nods her head yes, and Johnny tells Scott to head to Maria’s place. By the way, Johnny’s hat is not on his head (just thought I’d point that out).
Maria’s House sequence
- They arrive at Maria’s house, and she tells Scott to put Polly in the bedroom. Johnny in the meantime is looking around, and sees a rider coming up. And he’s wearing his hat (I know, I sound like a broken record). Maria tells Scott it’s only a matter of a couple of hours before Polly will have the baby. Scott walks into the bedroom as Polly is getting dressed and tells Scott she’s getting out of there. She doesn’t want to bring any trouble to Maria. But Polly is in obvious labor, so she has no choice but to stay.
- Gant Foley shows up and wants to see Polly. He tells Johnny that if he touches him Murdoch is dead. Johnny takes Foley’s gun and tells him to go inside. When Foley walks in and sees Scott he recognizes him from the doctor’s house. He looks quite surprised – he was right there with him earlier and had no idea that he was the Lancer he was looking for. HA!
- Scott allows him to see Polly, as he and Johnny watch from the doorway. Foley offers her $3000 to turn the baby over to him. She tells him he must be crazy. Polly goes into a great monologue here, really telling Foley off and further expressing her desire to keep her baby, even to the point of telling him that she’d kill herself and her unborn baby rather than see it raised by him. Now that’s harsh.
- Foley tells Scott and Johnny that they have until midnight to turn over the baby, or he will kill Murdoch. Something tells me that giving the two Lancer men an ultimatum isn’t really going to gain him any points.
- Night has fallen and Johnny is watching from the window. He tells Scott they are still out there, and they have two choices; either turn over the girl and get out of there or make a stand and their “old man” will probably be killed. Scott replies back to Johnny “and you vote that we sell the girl out”, but Johnny corrects him, and says “no brother, that ain’t the way I vote at all”. Johnny leaves the house. So rather than making a stand or turning over the girl, he seems to have another plan unbeknownst to Scott – kind of like when he had his own plan in “High Riders“.
The Foley Camp sequence
- The Foleys are waiting out the midnight deadline in their camp, and Murdoch is there as the leverage to get Polly’s baby. Corey is getting very impatient with his uncle, and Gant is getting pretty pissed at Corey.
- In the distance we see Johnny sneaking around to get closer to the camp.
- Murdoch is so great here – explaining to Foley that he understands what it is to lose a son, he lost both of his for 20 years – they were taken away from him.
- We hear Johnny call out – tells them to untie Murdoch. Murdoch runs to Johnny, and to make sure there’s no funny business, Johnny fires a shot at the camp. Foley yells over to Johnny that it’s all for nothing – they girl is still trapped in the shack. The shack!! Poor Maria – her house is not a shack. Foley is an ass (but we already knew that). Johnny firs two more shots for good measure. Foley tells his men to mount up – we know where they’re heading.
The Second Maria’s House sequence
- Murdoch and Johnny make it back to Maria’s
shackhouse. Scott hands Murdoch a gun, and hands Johnny his gun belt. Johnny holsters his gun and grabs a rifle.
- While this is going on, Maria is in with Polly who is very close to giving birth.
- It’s midnight, and Foley is telling the Lancer’s to clear out and leave the girl. But Corey is getting very impatient and wants to burn them out. He orders one of the men to go ahead with a burning torch – but Foley shoots the man with the torch, and there is a scuffle. Corey pulls a gun, but Gant Foley insists that there will be no bloodbath – he’s still worried about the safety of the baby.
- Corey tells Foley he’s on his own and starts to leave with the rest of the men. But Foley picks up a gun and aims for Corey. Corey turns and fires a shot – hitting Foley. He then grabs a flaming torch and heads for the house. But Johnny steps out of the door with the rifle and takes down Corey. Murdoch runs out to help Foley back to the house. We hear a baby cry. By the way, we never see Polly again in the episode.
- Foley tells Murdoch that if he doesn’t make it to give Polly the $3000. Maria comes out of the bedroom carrying the baby. Foley asks if it’s a boy or a girl. Maria tells him it’s a girl. (oh, and by the way, there’s Johnny leaning in the door way). Yep Foley, you fool, all that trouble for a girl. He finally decides maybe it’s better that it’s a girl. I guess so, since Polly wasn’t giving up the baby regardless of whether it was a boy or a girl. What a bonehead.
The End sequence
- Back at the Lancer ranch Teresa walks in to the room with the baby and announces that Polly is upstairs resting. She introduces the baby as Martha Ann Foley, and jokes that no matter how hard she tried, Polly couldn’t do anything with Johnny, Scott and Murdoch. Murdoch asks if she knows she’s free to stay as long as she wants, but Teresa explains that she still wants to move on.
- Johnny says it doesn’t add up, Polly passing up $3000, but Murdoch asks is it so hard to figure. Johnny explains for that girl he knew in the dance hall – yes. But Murdoch explains that leaves only one answer, and Johnny answers, that it’s not the same girl.
- Lynn Loring as Polly
- R.G. Armstrong as Gant Foley
- Don Quine as Corey
- Joseph V Perry as Marsh
- Harper Flaherty as Lew
- Rosa Turich as Maria
- Bert Sanots as Vaquero
- John McKee as Man
- Lorne McKellar as Assistant Bank Manager
- June Dayton as Doctor’s Wife
- Arvo Ojala as Dee
Some final thoughts:
- Lynn Loring as Polly – Not only does Ms. Loring appear as a different character in a later episode of Lancer (considered a fan favorite of the Johnny girls), but she also played opposite of James Stacy in the 1966 pilot “And Baby Makes Three”. I was watching the pilot a few months ago and recognized her voice, but wasn’t 100% sure, so I went over to IMDB, and there it was. It was a cute pilot, but didn’t get picked up as a series – and I for one am glad, because who knows what would have happened to the role of Johnny had he been busy when Lancer came along.
- Rosa Turich – I loved doing the research for this guest star. It all started when I was looking up the episode on IMDB to get the list of guest stars. There was a picture of the actress Rosa Turich, credited as Maria. I took one look and thought my goodness, she was a beauty. I went to her IMDB page, and saw that her career goes from 1932 to 1978. What a long career.
- This episode is the first that gives us an indication that Morro Coyo and Green River are fairly close to each other. We see the town of Morro Coyo in the “High Riders” pilot. In “Chase a Wild Horse” Johnny is sitting in a saloon that does not appear to be the same saloon we see him in with Day Pardee in “High Riders”. The town is never mentioned in “Chase a Wild Horse”; and they were in a completely different town in “Blood Rock”, which I don’t believe was ever mentioned again. Maybe the Lancer aficionados can confirm that for me. We also hear of the town Cross Creek – which seems to be in fairly close proximity as well. So we’re starting to get a lay of the land, so to speak.
- When Johnny has the conversation with Scott about the two choices they have, he removes his gun belt; but we know he keeps his gun because he uses it when he confronts the camp. What is Johnny doing here? Is it just easier to sneak around in the dark without wearing it? Probably. It just seems like such an inconsequential move that someone would put in the script or the directions – so I wonder why it was done, and who made the choice? The character, or the actor? Am I missing something here?
- The scene where Murdoch is riding back to Lancer and one of the ranch hands waves, and he waves back reminds me of something else. For some reason I keep thinking there’s a similar scene is “Gone With the Wind”, but I haven’t pulled out my DVD set to watch it. It’s driving me a little crazy, but I keep thinking it’s GWTW. I’ll figure it out one day.
- This episode seemed to have a lot going on – back and forth for the Lancer’s and the Foley’s. It just seemed like there was a lot of scene changing, and this post is a little longer because of that.
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Lots of Lancer love!
9 thoughts on “Season 1: Episode 4 – Foley”
I love your detailed breakdown of the Lancer episodes. Most of my watching focused on the story or characters, and I’ve missed many details you mentioned. One thing you pointed out about Johnny’s hat being on and being off tickled my fancy. It sure would be interesting to figure out how many different hat styles Johnny wore, maybe Scott too, throughout the filming of the episodes. I have noticed that while most characters of westerns settled with one hat only and often no wardrobe change, the Lancer boys changed it up a lot. Perhaps Murdoch wasn’t as tight-fisted with the fashion budget as, say Ben Cartright—you reckon?
This was a great detailing of Foley. Thank you!
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You read my mind – I already have a post half written on the evolution of the hats! It always fascinated me as well – maybe because I’m a hat lady (I may even share a pic or 2 of my own hats!). Thanks so much Sherry!
These are sure fun to read. It’s almost like having a good Book Club for a TV show. Oh where to start – That Madrid Lean – Jim Stacy certainly perfected it didn’t he? From that first lean in the pilot to the one you have in Foley – perfection. Was always glad the Producers didn’t get rid of that part of Madrid. (I am still angry that he only called Scott “Boston” once).
I liked that this one had the entire Lancer Family in it. The Episode started with Scott and progressed to include even Maria (who I felt like the Sheriff and Doctor should have been Lancer Family Characters all along) .
I loved Johnny peering out the window before announcing the “two choices”. Wondering if this is the first episode where Johnny refers to Murdoch as “his father”. As for the gun belt being taken off – it may have just been a Jim Stacy “touches” or due to the reflection off of the metal.
One thing – I always wondered how Johnny and Murdoch get back to the (shack) house first while the Foley boys are mounting and galloping on their horses.
Always found it funny Foley assumed it would be a boy. Sadly the disappointment can be seen ever so slightly on his face when he is introduced to his grandchild. Is this how we women were treated in the 1870’s?
Interesting about the mileage between towns. Moro Coya (which I can never spell correctly) is the closest to Lancer but doesn’t have much more than Cantina’s, stage depot, and a Saloon. Green River is where the Doctors/Sheriffs/Churches and most of the towns people reside. Spanish Wells – that’s where the new jailhouse is but in Lancer Cannon – it is not a very important city. Cross Creek is down the road South East of Green river but its far enough away that it doesn’t even make it onto a FanFiction map.
What I love about the ending – the Lancers are all together and we get that Johnny Lancer Smile.
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Hi Cathie – First off, thank you for the great maps, and for the wonderful Madrid lean pic. Very nice! I am glad that the Madrid lean is used in the episode twice, but I have to wonder how it came to be. Wish I could ask James Stacy. I also wonder about the gun belt thing – it just seems so small that anyone would care one way or the other – which is why I think it was an actor decision, and not a directional decision. But we’ll never know.
I also agree that the way this episode brought the 3 Lancer men together was done very well. It speaks to the intent of the show, and again I wonder why it was squandered later. So many unanswered questions – and I’m curious as hell!
The fact that Foley was so hell bent on getting that child, until he saw it was a girl – it speaks volumes to the value of girls and women in that time. A man wants to carry on his legacy – and he does that with a son. Although according to Polly, it wasn’t such a great legacy at all.
Also want to thank you for recognizing the shack/house thing – I tried to add a little humor, so you adding that in there gave me a nice chuckle.
Thanks for commenting!
I am loving your episode reviews.
I like when Johnny gives his name as Johnny Lancer, he kind of hesitates, like it’s still new for him to say.
Also when Polly and Johnny realize they know each other, Polly makes it sound like they shared more than a bottle backthen. A lot of fan fiction has been written about their relationship.
I always wonder why Foley is so quick to believe all the Lancer men when they say they don’t know what he is talking about. Also, I have wondered why they didn’t have more security at the ranch. The bad guys seem to show up at the house at will. 😉
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Oh my goodness Sarah – It certainly is funny how easy it is to sneak in and out of that house. Poor Murdoch smiling and waving had no clue.
Your point about Johnny hesitating when he says “Lancer” is very likely because he’s still getting used to it – and that’s something that never occurred to me (clunks self on forehead).
As for Polly making that comment, I thought it meant something more as well. I didn’t know there was fanfic about that relationship – I’ll try to dig that up. I’m curious what others may have created for them.
I’m glad you’re enjoying the blog – thanks so much for your comment!
Love this series, the developing relationship between the brothers and their father. So glad to see I’m not alone. Thanks for your reviews
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I’m glad you’re enjoying the commentary. I have a lot of fun watching and putting together my thoughts – things that I’ve always wanted to know or discuss, so it’s very nice to see that there is still a fan-base for my beloved Lancer. Appreciate your comment – thanks!
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